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Can I whine a little? Please?

My body hurts.

This isn’t a new experience for me. I have several back and neck herniations from a bad car crash and being thrown and trampled by a horse. One leg is also shorter than the other due to some curvature of my spine.

(Totally sexy imagry, no?)

It exacerbates matters that I have a bed that sucks. We are going to replace it this year, but I’ve been suffering with it for the last 6 years.

I never wake up feeling refreshed. I usually start feeling like knives are being stuck in various body parts before my eyelids flutter open. I imagine it is similar to what one would feel like if thrown out of a moving train. Then run over by a tractor. Then peed on by the guy driving the tractor.

Point is, I hurt most of the time that I am conscious.

Aleve is my friend and for the most part I just suck it up and deal. You get used to it after awhile.

Right now, my body hurts more than the same-old, same-old.

Why, you ask?

See this fuzzy, poorly lit photo?

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Yah, sorry about that. It’s the best I could do under the circumstances.

This gem of a theater will be my home for the next three weeks. I will spend more time there than in my own bed. (Again-given the extreme hideousness of it, I’m not sure that this is a bad thing.)

I am in the final weeks of appearing in a little musical called “The King & I“.

I’m just in the chorus. Specifically, I’m one of “The Royal Wives”. (The King of Siam was into polygamy. And yes, I find the irony that I’m doing this in Utah amusing.)

Normally, being in a choral role isn’t that difficult. Usually the toughest thing about it is the hours you have to wait around the theater doing nothing and wishing you could go home already.

Musically and character-wise, this is a VERY easy show but this choral role IS ABOUT TO KILL ME.

Apparently, the King is married to nine submissive women that drop to their knees and put their foreheads on the floor whenever he enters the room and freeze in that position until he finishes talking and says we can get up.

Before the bitchfest gets out of control I will say that this is turning into a great little production. I had such huge reservations at first, but it is going to be great. The orchestra is excellent, they flew in a great conductor from Florida and the costuming is as good, if not better than many of the professional productions I’ve been in. Because this is the debut musical for this theater company, they are investing thousands and thousands of dollars into it. Even the scene I LOATHE in musical theater (Uncle Tom’s Cabin) is good because they brought in an excellent choreographer and ballet company to perform it.

I am very happy and non-embarrassed to be a part of it.

THAT SAID…

Do you know how freaking long you have to be on your knees as a Royal Siamese Wife?

A FREAKING LONG TIME would be the answer. (The King enters the room a lot. He is also very long-winded.)

You would think that with that many wives we could rotate and schedule to keep it down to a minimum. (Was that inappropriate? Probably.)

Up! Down! Up! Down! Put your forehead on the ground!

For hours, and hours, and HOURS A DAY.

All of the bending and contorting into such extreme angles is taking its toll on my body. The other wives are even feeling it and I have EIGHT YEARS on the next oldest wife.

During the long-ass scenes where the King delivers amusing, pithy and long-winded dialog, etc. etc. etc., I am kneeling on the very hard stage floor feeling the blood pool and swell in my already damaged leg.

What? You mean you didn’t know that my 33-year-old body is totally falling apart? There’s more wrong with me than just back suck?

Yup.

Eight years ago, three weeks after my son, Christopher was born, I developed a massive blood clot in my abdomen that went down the length of my entire leg. I have a clotting disorder (Leiden V Factor) that means I am much more susceptible to blood clots than normal people. Since I have already thrown a clot, my chances of reclotting are even higher. It damn near killed me and left me with a damaged circulatory system and perpetually swollen leg.

My.legs.suck.

They suck.

(Oh, and did I mention that they SUCK?)
Don’t believe me? Here. Some honest photography for you.

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You can see the size difference and the bluish, purple tone to my damaged leg.

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You can see the pressure that is put on my left leg by how much the veins in my left foot “Pop” compared to my right foot.

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I already struggle with poorly shaped legs. I am a bit bow-legged, I have a really hard time gaining muscle mass and have big feet and cankles. The blood clot just makes it all so much more attractive. Yippee.

It is why I always wear long pants and skirts. I never show my legs unless it is absolutely necessary. It isn’t just a vanity issue. I have been approached more times than I care to remember by well-meaning medical people who tell me that I may have a blood clot and should go to the nearest ER.

In their defense, it is a life-threatening condition. Plus, my leg looks like I could be in serious trouble; Most clots resolve where the leg returns to normal size. My clot was GINORMOUS. When It first happened my leg the size of both my legs put together and was dark purple.

I was in the hospital for a month. They told me to “Make arrangements” and prepare. They didn’t even dare put a filter in there were that scared that it would cause a piece to break off and go to my heart or brain and kill me. I was on Oxycontin for 8 months (It was rather new at the time. My doctors had no idea the hell it would be to get off of it after that long. Post for another day but lets just say that I understand why people hold up liquor stores and drive to Tijuana!)

This condition is permanent and painful. It sucks.

As much as I have enjoyed aspects of this musical and know that I auditioned willingly, I can’t wait for it to be over. It will be quite the effort to sit up there hurting and swelling and stay perfectly still and serene-looking.

There is zero point to this post. I have no “How I conquered my pain” or management tips or motivational tales about how I reached deep inside of myself and started wearing skirts to show that I love my body just as it is.

Nah.

I just wanted to bitch and whine about unattractive legs, crappy medical conditions and back pain. (And my piece of crap bed. We can’t forget about that.)

Thanks for listening. You all deserve a cookie for making it to the end of such long-winded, self-serving drivel.

Sigh…

I THINK it’s fixed.

***EDIT***

I tried posting this the other day, but the player didn’t work. I am really hoping the problem is resolved! Let me know…

Hey, all. Since I originally posted it, I have gotten loads of requests to put the duet Loralee Christensen and I recorded together this year (For Good from “Wicked”) on my page.

It’s taken me a million years, but I finally figured out the whole “Post an MP3 to your website” thing. See? I told you all I had techno-suck.

It’s over on my left sidebar in my pages. Click on “The Song” and you’ll see it. Hope you enjoy. I will post a clip of “The Messiah” as soon as I get it ripped to my hard drive. They are two totally different sounds.

This duet with Loralee is very dear to my heart. I totally had a blast.

On Soundtracks

Between watching and writing about my “Forrest Gump” viewing and reading Alex’s fun list in my comments, I thought that I would weigh in on my favorites as far as sound tracks are concerned.

I know I am going to leave some off, but here it goes:

My favorite soundtrack: “Robin Hood Prince of Thieves”.

It was not easy to pick a favorite soundtrack. It is sort of like asking me to pick out my favorite leaf on a tree, but I had to go with the one I listen to the most. The summer of 1991 was life changing. At all of 15 years of age, my adoration of the orchestral film score was secured. I saw this movie about a dozen times in the theater because the first time I heard the opening to this movie I almost started shaking. Intense love at first listen.

It did help that Christian Slater was a hottie and Alan Rickman was a genius as the Sheriff of Nottingham, which helped diffuse how much Kevin Costner sucked in this film. The music was GLORIOUS. I love most of the tracks on this one.

I had loved the music of other movies (Namely, “The Man from Snowy River” and “Chariots of Fire” *Hey, synthesisers were new, OK?*) but since I was so young, I didn’t really understand how much of my enjoyment of a movie was based on the film score. They move me like no other music can.

Best comedy soundtrack: “The Princess Bride” This music is both quirky and makes you feel so melancholy and at home at the same time.

AND “South Park: The Movie” along with “Team America, World Police”. Say what you will about them, but they are absolute composition comedy GENIUSES. GENIUSES, I tell you. Though I admit, it can be quite…ehem.

Best action soundtrack: “Star Wars” There are no words for John William’s genius. My very favorite scene is the last one at the awards ceremony. SO cool when they all turn at the same time. I think I ran unrestrained around the theater at three years old it hyped me up so much.

Best dramatic soundtrack: “Forrest Gump” OK, I know that technically this is a comedy as well, but ‘Jenny’s Theme’ and ‘Run Forrest’ are both heartbreaking and inspiring. LOVE IT.

Best historical soundtrack: TIE. “Last of the Mohican’s” This was another MUST have. That fiddle they play on the main theme? TO DIE FOR. and “Emma” by Rachel Portman. Portman is amazing and one of the most talented composers of this generation. I love all of her work and she is a heavy part of my library. I got married to this music, I love it so much. She does some very fun things with her arrangements.

Best animal theme: “Fawkes the Phoenix” from Harry Potter. I’m sorry, but it is just so inspiring and reassuring, like the bird itself.

Sweetest theme: “A Simple Twist of Fate”. It is a very quiet little film by Steve Martin. The theme used here is so sweet and simple that it almost feels like taking a warm bath.

Most “Themed theme”: “Rudy”. I love the heavy “Fighting Irish” thread he has going on here.

Most powerful theme: “Glory” by James Horner. Specifically, “Charging Ft. Wagner”. It is akin to Orff’s “Carmina Burana“. Loud, confusing, clashing and also building with subtle intensity in segments.

Most majestic soundtrack: “Lord of the Rings” Damn. That’s all I have to say about that.

Best use of political satire in a soundtrack: “Hitchhikers Guide to the Galaxy” The “Zephed Beezlebrock” (OR WHATEVER, BRIAN AND KAREN. I never get the name right. Sigh) is HILARIOUS! “He’s not stupid! (OH, NO!) He’s much smarter than you, and he’s better looking too!” Take a listen. The “Achoo” hymn done in traditional Anglican hymnal structure KILLS ME.

Soundtrack I used to love but can no longer admit to liking because even I can only take so much mocking: “Titanic”. Sigh.

Best scary soundtrack: “The Sixth Sense” OMG. I freaked out in the first two measures and asked my friend Brian to “Hold me”. “The Changeling” was also fairly freaky.

Best military influenced soundtrack: You know how much I love music with a military influence. I don’t really know why. Maybe it is the precision, maybe it is the heavy use of brass or the fact that I think the piccolo just isn’t used enough, I dunno. I just like it a lot. I have a tie. I cannot pick between “Glory” and “The Patriot” they both kick ass.

If we are going with one specific theme, though, the winner is the main theme to the HBO series by Steven Spielberg and Tom Hanks “Band of Brothers”. Gorgeous.

Best soundtrack to inspire you to pretty much be willing to commit mass suicide in a muddy field in Agincourt, France: “Henry V” by Patrick Doyle. I love this Soundtrack. There are two moments that are pure genius-the track for the “St. Crispian’s Day Speech” and “Non Nobis Domine” kick some serious, serious composition TAIL. ( I HAD to find a way to put this in here)

Best romantic theme: “Kiss you” from Romeo & Juliet. OMG. It makes you want to grab the nearest object and start sucking face with it. I WILL sing this one day.

Best soundtrack from a children’s film: “Mary Poppins” What’s all this, step in time? It seriously makes you want to go be a chimney sweep and dance on the roof tops of London. And WHO doesn’t get misty eyed on “Feed the Birds”. It’s one of my favorite songs to sing.

Best vocals on a soundtrack: It has to go to the queen “Enya“. Between ‘Now you are free’ from “Gladiator” and “May it be ” from Lord of the Rings, and her work on Steve Maritn’s “LA Story”, she has it nailed. Second favorite is “Weep you no more sad fountains” from “Sense and Sensibility” by Patrick Doyle

Best soundtrack from the 30′s: “Gone With the Wind”
Best soundtrack from the 40′s: “White Christmas” Hello, could you get more amazing than Bing Crosby on “I’ll be home for Christmas”? Need I say more?
Best soundtrack from the 50′s: “The King and I”
Best soundtrack from the 60′s: “Breakfast at Tiffany’s”. ‘Moon River’ is enough to make you lay down and weep.
Best soundtrack from the 70′s: “Jaws”. Who knew a minor 2nd could be so damn scary? John freaking Williams, that’s who!
Best soundtrack from the 80′s: “The Man From Snowy River” and “Say Anything”
Best Soundtrack from the 90′s: “City of Angels” (So, so, so awesome)and “Forrest Gump” the song compilation.

Best song remakes: Tie between the covers on “50 First Dates” and “Moulin Rouge” both are brilliant in different ways.

Best soundtrack for a completely stupid movie: “Cold Mountain”. There are no words for how much I did not really care for this film. What I LOVE is the music. You cannot get better than Allison Krauss singing “The Scarlett Tide”. Also, they recorded this amazing church choir located deep in the smokey mountains. “The Sacred Harp Singers” I have never heard anything like it: There is no attention to blend, no accompaniment, no strict time keeping, and the end result is loud, ruckus, and gloriously bizarre. I was very tempted to put the winner here as “The Legend of Bagger Vance” by Rachel Portman, but I think “Cold Mountain” takes it.

Best cry your eyes out moment:“Little Women” the simple piano theme when Beth dies. I love this soundtrack so freaking much I can forget the Winona Ryder stars in it.

Best quirky movie Soundtrack: “Harold & Maude” by Cat Stevens.

Best individual instrument performance: “Uncorked” by Jeff Dana. Specifically, “Ross’s Concert”. This is a little movie that stars Minnie Driver. I like the film well enough, but the music is the real star. The first time I heard this I literally had a tear run down my cheek and my jaw was on the floor. I think I repeated it 15 times in a row that night. It was this AMAZING musical moment that was so unexpected and lovely. This guy can play one hell of an acoustic guitar. I went through hell to get the soundtrack but it was worth it.

Soundtrack I never want to hear again: “The Omen”. I would say that THREE HOURS of being “Caroled” in a haunted corn maze by Brian Joy singing “Ave Satani” would be quite enough for anyone, thank you.

Honorable mentions:
“Jurassic Park”
“Waking Ned Divine”
“Cider House Rules”
“Pearl Harbor”
“Gettysburg”
Spiderman
“Practical Magic”
“Raiders of the Lost Ark”
“Black Beauty”
“Oh, Brother! Where Art Thou?”
Braveheart
Shrek 2″
“Rob Roy”
“Garden State”
“Last Kiss”
“The Goonies
“Meet Joe Black”
“Pirates of the
Caribbean
“Amalie”

I know there are so many more, but my brain is fried. Discuss and comment away. Or not. I didn’t want to hear from you all anyway, so THERE! PPPFFTTH!!!!!

:)