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Opening night!

June 20, 2008

Opening night of Thoroughly Modern Millie went really well.

There were a couple of things that I wish went a little better vocally, but for being nervous, singing in a completely foreign style than anything I have done before and having so few rehearsals, I think I did ok. I manged to not to trip and fall and even managed to dance in heels.

Lots of friends and family came to lend their support. I don’t think I have ever had so many people I know at a single performance of mine. In fact, I broke the theater’s record for friends and family ticket reservations at 42! It was pretty awesome to have a Muzzy Van Hossmere cheering section, I must say. There was thunderous applause and cat calls every time I made an entrance. Even though they were friends and family I think everyone really loved the show on its own merits. A lot of people told me that they liked it a lot more than they thought they would, which is always a good thing. I’m not surprised, though. It is a just a funny and entertaining piece of musical theater.

I’m just glad people I love were a part of the evening. Jonathan was proud of me and had very minor critiques of my performance (I always ask him to be blunt and honest with me. I trust his musicianship and most of his acting comments are accurate.). My boys LOVED the show. James and Christopher asked me for my autograph and kept calling me “Muzzy Mamma” the whole way home and are begging me to do another season so that I can have them work the western BBQ cookout that the theater offers before the show begins.

The costume worked well and miracle of miracles, my hair managed to hold up through the whole show. No small task considering I wear a ridiculous wig for a portion of the show and have to rip it off while I’m still on stage. This photo was snapped with my friend, Tom and his wife Karen after the show.

Tom rocks. He is a fellow Cache Valley Illuminati member and also co-hosts a local political radio talk show, KVNU For the People and he is kind enough to give me shout outs on the air from time to time. Other bloggity friends came as well.

I’m dead tired and really wish I had the ability to make this into a funnier post, but there is no way THAT is happening tonight (this sentiment also applies any and all naughty acts of nature that I am sure my husband would love to have occur this evening).

I just wanted to check in and say thanks to everyone who came and hooted and hollered for me and for the well wishers who kept me in their thoughts!

Stumble it!

Who knew the answer to a closed door would be “Thoroughly Modern Millie”?

May 14, 2008

Remember how I lost a role that I loved last week? ( It kinda blew chunks for those just tuning in.)

Today I had a “Close door, open window” moment.

I got a phone call from the very sweet assistant director who held my hand through the whole ordeal. She told me that she was participating in the summer stock season of an adorable lakeside theater about an hour away from my house and asked if I would have any interest in splitting a role with her because she is so busy she can’t commit to every performance over three months.

Dude.

I have always wanted to work in this particular theater. It’s small (About 300 seats) and it is a hand built log theater that a family founded about 40 years ago. I love it. I always have, since I was a kid. I just never really thought I could work it into my schedule or pay that much for gas. However, since I am splitting the performances, it will be a manageable 15 shows and since I’m getting paid, the gas point is moot.

The role is in Thoroughly Modern Millie as the eccentric diva, Muzzy (Typecasting, anyone?). Problems? She is in her late 40’s, and is basically supposed to be a bigger diva than Ella Fitzgerald and Aretha Franklin combined. You can check out the big number I’ll be singing if you care to. This is a crappy recording, but the actress is a pretty damn good Muzzy (Still a bit young, though.)

A real show stopper, no?

I can’t help but be a little nervous. I know that I am in my early 30’s and am a thin-ish white opera singer that lives in a house built by dairy hands in their spare time, but given that I live in a totally homogenized section of the country, you are doing awesome if you can find a female that isn’t blond, blue eyed and dainty featured.

Even though I was fairly confident I would be cast due to the strong recommendation of my friend, the people in charge still had to hear me in person, so last night I stopped by the director and producer’s house and sang. The role is heavy, jazzy, low and sultry, so I sang few stanzas of a jazzed up version of “Summertime” that I sing about an octave and a half down from the original key because that is the only remotely appropriate styled song I knew. The role uses the belt technique, which is usually harder for me, but the key is so dang low (my comfort zone) that I have little to no issues.

The producer was lovely. She recognized me from The King and I and she said, “I would be standing back stage and this glorious presence and VOICE would glide by.” (FYI, hearing that is much better for your psyche than auditioning when you know that the person doesn’t really dig your sound. Just so you know.)

They must have liked it because I got the call just now that the role is mine and my first rehearsal is tonight.

Even though in so many ways, I am not right for the role, I am really excited because it is TOTALLY different from classical or the musical theater that I usually do. I will get to channel my inner bluesy lounge singer and I will also have something to drag my ass out of the house and work at.

I have never seen the movie, heard the music before yesterday, nada. The cast has already been in rehearsals for almost 8 weeks. My opening performance is June 19th, which means that I have about a month to get this role down.

That is not a long time, people.

Wish me luck. (Don’t tell me to “Break a leg”. With my luck, Karma would probably translate that literally)

Stumble it!

A flash from the past and discussion of soundtracks

April 3, 2008

Hello, all! It’s April 3, 2007 and I am writing you from the past to celebrate the fact that since I moved to WordPress this month I can now set the publish date for my posts whenever I want! Oh, WordPress! How I love thee!

So, I am setting my post today to re-publish this post a year from now.

(As a side note, I totally wonder where I will be in my life a year from now? On April 3, 2008 I hope I am softer in stress, firmer of ass, heavier in pocket and lighter in soul and spirit. In other words? I hope I’m happy and that you all are, too. Most importantly, I hope I am still hot. Priorities are important, you know. )

I just hope that I remember that I set this up so I don’t double post. On the other hand, if I’ve forgotten about it it will be like a groovy little surprise in the morning. Kind of like my birthday only in April! (Ok, this would make for a pretty lame birthday, huh?)

So, what are we waiting for? My post today is about one of my passions other than Diet Coke and blogging.

I’m referring to SOUNDTRACKS. My favorite music EVER. Period. The END. I would make out with them, marry them and have little orchestral score soundtrack babies with them if I could get away with it and not be carted away to the crazy house.

It is a huge list but if you knew how many I LEFT OFF! Soundtracks are the new “Classical Music”.  The brilliant film composers of today would have been the Chopin’s and Handel’s back in the day. You may disagree, but that is how I feel.

So? Let’s discuss.

Here you go:

On Soundtracks

April 3, 2007
I thought that I would weigh in on my favorites as far as sound tracks are concerned and compile a list for you all.I know I am going to leave some off, but here it goes:
My favorite soundtrack: Robin Hood Prince of Thieve.It was not easy to pick a favorite soundtrack. It is sort of like asking me to pick out my favorite leaf on a tree, but I had to go with the one I listen to the most.
The summer of 1991 was life changing. At all of 15 years of age, my adoration of the orchestral film score was secured. I saw this movie about a dozen times in the theater because the first time I heard the opening to this movie I almost started shaking. Intense love at first listen.
It did help that Christian Slater was a hottie and Alan Rickman was a genius as the Sheriff of Nottingham, which helped diffuse how much Kevin Costner sucked in this film. The music was GLORIOUS. I love most of the tracks on this one.

I had loved the music of other movies (Namely, “The Man from Snowy River” and “Chariots of Fire” *Hey, synthesisers were new, OK?*) but since I was so young, I didn’t really understand how much of my enjoyment of a movie was based on the film score. They move me like no other music can.

Best comedy soundtracks: The Princess Bride and Emma by Rachel Portman. Portman is amazing and one of the most talented composers of this generation. I love all of her work and she is a heavy part of my library. I got married to this music, I love it so much. She does some very fun things with her arrangements. This music is both quirky and makes you feel so melancholy and at home at the same time.
Also on the list? 50 First Dates. Loved the Hawaiianesque covers of these tunes. AND? South Park: The Movie along with Team America, World Police. Say what you will about them, but they are absolute composition comedy GENIUSES. GENIUSES, I tell you. Though, I admit that they can be rather…EHEM…
Best action soundtrack: Star Wars (Or any John Williams soundtrack) There are no words for John Williams’ genius. I loved Star Wars. My very favorite scene of his is the last one at the awards ceremony. SO cool when they all turn at the same time. I think I ran unrestrained around the theater at three years old it hyped me up so much.
Best dramatic soundtrack: Forrest Gump. OK, I know that technically this is a comedy as well, but ‘Jenny’s Theme’ and ‘Run Forrest’ are both heartbreaking and inspiring. LOVE IT. Also? “City of Angels”. “I’d
give up forever to touch you…” Could you just die? I about did.
(Breaking in to say that I am not going to bother using italics for movie titles and use quotations. I know it is incorrect, but it’s taking me forever and there are eleventyhundred titles, ok?)
Best historical soundtrack: TIE. “Last of the Mohican’s” This was another MUST have. That fiddle they play on the main theme? TO DIE FOR. “Glory” by James Horner. Amazing. Kicked his score for Titanic by leaps and bounds. This is the sound track that heavily features the Harlem Boy’s Choir and where they got a good deal of their fame from. Gorgeous. “The Patriot” I love this soundtrack. Since it covers the southern part of the revolution, the music shows it in rich, homey, themes, heavy on the fiddle. I am also really fond of the the music in the Keira Knightly “Pride and Prejudice”. Very nice piano themes.
Best animal theme: “Fawkes the Phoenix” from Harry Potter. I’m sorry, but it is just so inspiring and reassuring, like the bird itself.
Sweetest theme: “A Simple Twist of Fate”. It is a very quiet little film by Steve Martin. The theme used here is so sweet and simple that it almost feels like taking a warm bath. Steve Martin is also an accomplished banjo player and he plays a lot in this soundtrack, which just adds to the coolness of it.
Also? The duet from “The Corpse Bride”. I love Danny Elfman and have wanted to have his babies since adoring him in his Oingo Boingo days. DAMN talented musician is he.
Most “Themed theme”: “Rudy”. I love the heavy “Fighting Irish” thread he has going on here. I dare you to not stand up and cheer when you hear it.
Most powerful theme: “Glory” by James Horner. Specifically, “Charging Ft. Wagner”. It is akin to Orff’s “Carmina Burana“. Loud, confusing, clashing and also building with subtle intensity in segments.
Most majestic soundtrack: “Lord of the Rings” Damn. That’s all I have to say about that.
Best use of political satire in a soundtrack: “Hitchhikers Guide to the Galaxy” The “Zephed Beezlebrock” (OR WHATEVER, BRIAN AND KAREN. I never get the name right. Sigh) is HILARIOUS! “He’s not stupid! (OH, NO!) He’s much smarter than you, and he’s better looking too!” Take a listen. The “Achoo” hymn done in traditional Anglican hymnal structure KILLS ME.
Soundtrack I used to love but can no longer admit to liking because even I can only take so much mocking: “Titanic”. Sigh.
Best scary soundtrack: “The Sixth Sense” OMG. I freaked out in the first two measures and asked my friend Brian to “Hold me”. “The Changeling” was also fairly freaky.
Best military influenced soundtrack: You know how much I love music with a military influence. I don’t really know why. Maybe it is the precision, maybe it is the heavy use of brass or the fact that I think the piccolo just isn’t used enough, I dunno. I just like it a lot. I have a tie. I cannot pick between “Glory” and “The Patriot” they both kick ass. “Gladiator” and “Pearl Harbor” also kicked a fair amount of ass.
If we are going with one specific theme, though, the winner is the main theme to the HBO series by Steven Spielberg and Tom Hanks “Band of Brothers”. Gorgeous.
Best soundtrack to inspire you to pretty much be willing to commit mass suicide in a muddy field in Agincourt, France: “Henry V” by Patrick Doyle. I love this Soundtrack. There are two moments that are pure genius-the track for the “St. Crispian’s Day Speech” and “Non Nobis Domine” kick some serious, serious composition TAIL. ( I HAD to find a way to put this in here)
Best romantic theme: “Kiss you” from Romeo & Juliet. OMG. It makes you want to grab the nearest object and start sucking face with it. I WILL sing this one day.
Best soundtrack from a children’s film: “Mary Poppins” What’s all this, step in time? It seriously makes you want to go be a chimney sweep and dance on the roof tops of London. And WHO doesn’t get misty eyed on “Feed the Birds”. It’s one of my favorite songs to sing.
Best vocals on a soundtrack: It has to go to the queen “Enya“. Between ‘Now you are free’ from “Gladiator” and “May it be ” from Lord of the Rings, and her work on Steve Maritn’s “LA Story”, she has it nailed. Second favorite is “Weep you no more sad fountains” from “Sense and Sensibility” by Patrick Doyle. THAT girl can sing classical. I actually convinced my vocal teacher to let me do his version of “Weep you no more” AND Quilter’s more classical version of it for vocal juries one year. I can’t believe she let me do it. It was awesome.
Best soundtrack from the 30’s: “Gone With the Wind”
Best soundtrack from the 40’s: “White Christmas” Hello, could you get more amazing than Bing Crosby on “I’ll be home for Christmas”? Need I say more?
Best soundtrack from the 50’s: “The King and I”
Best soundtrack from the 60’s: “Breakfast at Tiffany’s”. ‘Moon River’ is enough to make you lay down and weep.
Best soundtrack from the 70’s: “Jaws”. Who knew a minor 2nd could be so damn scary? John freaking Williams, that’s who!
Best soundtrack from the 80’s: “The Man From Snowy River” and “Say Anything”
Best Soundtrack from the 90’s: “City of Angels” (So, so, so awesome)and “Forrest Gump” the song compilation.
Best song remakes: Tie between the covers on “50 First Dates” and “Moulin Rouge” both are brilliant in different ways.
Best soundtrack for a completely stupid movie: “Cold Mountain”. There are no words for how much I did not really care for this film. What I LOVE is the music. You cannot get better than Allison Krauss singing “The Scarlett Tide”. Also, they recorded this amazing church choir located deep in the smokey mountains. “The Sacred Harp Singers” I have never heard anything like it: There is no attention to blend, no accompaniment, no strict time keeping, and the end result is loud, ruckus, and gloriously bizarre. I was very tempted to put the winner here as “The Legend of Bagger Vance” by Rachel Portman, but I think “Cold Mountain” takes it.
Best cry your eyes out moment:“Little Women” the simple piano theme when Beth dies. I love this soundtrack so freaking much I can forget the Winona Ryder stars in it.
Best quirky movie Soundtrack: “Harold & Maude” by Cat Stevens.
Best individual instrument performance: “Uncorked” by Jeff Dana. Specifically, “Ross’s Concert”. This is a little movie that stars Minnie Driver. I like the film well enough, but the music is the real star. The first time I heard this I literally had a tear run down my cheek and my jaw was on the floor. I think I repeated it 15 times in a row that night. It was this AMAZING musical moment that was so unexpected and lovely. This guy can play one hell of an acoustic guitar. I went through hell to get the soundtrack but it was worth it.
Soundtrack I never want to hear again: “The Omen”. I would say that THREE HOURS of being “Caroled” in a haunted corn maze by Brian Joy singing “Ave Satani” would be quite enough for anyone, thank you.
To wrap up, here are some other soundtracks that I WUV as well.
Honorable mentions:
“Jurassic Park”
“Waking Ned Divine”
“Moulin Rouge”
“Pearl Harbor”
“Gettysburg”
“Anne of Green Gables”
“Practical Magic”
“Raiders of the Lost Ark”
“Black Beauty”
“Oh, Brother! Where Art Thou?”
“Amadeus” and “My Immortal Beloved”
“Cider House Rules”
“Braveheart”
“Far and Away”
“Rent”
“Say Anything”
“All John Hughs Films”
“Rob Roy”
“Garden State”
“Last Kiss”
“The Goonies“
“Meet Joe Black”
“Pirates of the Caribbean“
“Amalie”
“Highlander” (I swear when I go to Scotland with Michelle this fall I am going to sing “Who wants to live forever” at some castle ruin somewhere!)

I know there are so many more, but my brain is fried. Discuss and comment away. Or not. I didn’t want to hear from you all anyway, so THERE!

PPPFFTTH!!!!!

Stumble it!

Can I whine a little? Please?

January 6, 2008

My body hurts.

This isn’t a new experience for me. I have several back and neck herniations from a bad car crash and being thrown and trampled by a horse. One leg is also shorter than the other due to some curvature of my spine.

(Totally sexy imagry, no?)

It exacerbates matters that I have a bed that sucks. We are going to replace it this year, but I’ve been suffering with it for the last 6 years.

I never wake up feeling refreshed. I usually start feeling like knives are being stuck in various body parts before my eyelids flutter open. I imagine it is similar to what one would feel like if thrown out of a moving train. Then run over by a tractor. Then peed on by the guy driving the tractor.

Point is, I hurt most of the time that I am conscious.

Aleve is my friend and for the most part I just suck it up and deal. You get used to it after awhile.

Right now, my body hurts more than the same-old, same-old.

Why, you ask?

See this fuzzy, poorly lit photo?

eccles.JPG

Yah, sorry about that. It’s the best I could do under the circumstances.

This gem of a theater will be my home for the next three weeks. I will spend more time there than in my own bed. (Again-given the extreme hideousness of it, I’m not sure that this is a bad thing.)

I am in the final weeks of appearing in a little musical called “The King & I“.

I’m just in the chorus. Specifically, I’m one of “The Royal Wives”. (The King of Siam was into polygamy. And yes, I find the irony that I’m doing this in Utah amusing.)

Normally, being in a choral role isn’t that difficult. Usually the toughest thing about it is the hours you have to wait around the theater doing nothing and wishing you could go home already.

Musically and character-wise, this is a VERY easy show but this choral role IS ABOUT TO KILL ME.

Apparently, the King is married to nine submissive women that drop to their knees and put their foreheads on the floor whenever he enters the room and freeze in that position until he finishes talking and says we can get up.

Before the bitchfest gets out of control I will say that this is turning into a great little production. I had such huge reservations at first, but it is going to be great. The orchestra is excellent, they flew in a great conductor from Florida and the costuming is as good, if not better than many of the professional productions I’ve been in. Because this is the debut musical for this theater company, they are investing thousands and thousands of dollars into it. Even the scene I LOATHE in musical theater (Uncle Tom’s Cabin) is good because they brought in an excellent choreographer and ballet company to perform it.

I am very happy and non-embarrassed to be a part of it.

THAT SAID…

Do you know how freaking long you have to be on your knees as a Royal Siamese Wife?

A FREAKING LONG TIME would be the answer. (The King enters the room a lot. He is also very long-winded.)

You would think that with that many wives we could rotate and schedule to keep it down to a minimum. (Was that inappropriate? Probably.)

Up! Down! Up! Down! Put your forehead on the ground!

For hours, and hours, and HOURS A DAY.

All of the bending and contorting into such extreme angles is taking its toll on my body. The other wives are even feeling it and I have EIGHT YEARS on the next oldest wife.

During the long-ass scenes where the King delivers amusing, pithy and long-winded dialog, etc. etc. etc., I am kneeling on the very hard stage floor feeling the blood pool and swell in my already damaged leg.

What? You mean you didn’t know that my 33-year-old body is totally falling apart? There’s more wrong with me than just back suck?

Yup.

Eight years ago, three weeks after my son, Christopher was born, I developed a massive blood clot in my abdomen that went down the length of my entire leg. I have a clotting disorder (Leiden V Factor) that means I am much more susceptible to blood clots than normal people. Since I have already thrown a clot, my chances of reclotting are even higher. It damn near killed me and left me with a damaged circulatory system and perpetually swollen leg.

My.legs.suck.

They suck.

(Oh, and did I mention that they SUCK?)
Don’t believe me? Here. Some honest photography for you.

dsc02177.jpg

You can see the size difference and the bluish, purple tone to my damaged leg.

dsc02178.jpg

You can see the pressure that is put on my left leg by how much the veins in my left foot “Pop” compared to my right foot.

dsc02179.jpg

I already struggle with poorly shaped legs. I am a bit bow-legged, I have a really hard time gaining muscle mass and have big feet and cankles. The blood clot just makes it all so much more attractive. Yippee.

It is why I always wear long pants and skirts. I never show my legs unless it is absolutely necessary. It isn’t just a vanity issue. I have been approached more times than I care to remember by well-meaning medical people who tell me that I may have a blood clot and should go to the nearest ER.

In their defense, it is a life-threatening condition. Plus, my leg looks like I could be in serious trouble; Most clots resolve where the leg returns to normal size. My clot was GINORMOUS. When It first happened my leg the size of both my legs put together and was dark purple.

I was in the hospital for a month. They told me to “Make arrangements” and prepare. They didn’t even dare put a filter in there were that scared that it would cause a piece to break off and go to my heart or brain and kill me. I was on Oxycontin for 8 months (It was rather new at the time. My doctors had no idea the hell it would be to get off of it after that long. Post for another day but lets just say that I understand why people hold up liquor stores and drive to Tijuana!)

This condition is permanent and painful. It sucks.

As much as I have enjoyed aspects of this musical and know that I auditioned willingly, I can’t wait for it to be over. It will be quite the effort to sit up there hurting and swelling and stay perfectly still and serene-looking.

There is zero point to this post. I have no “How I conquered my pain” or management tips or motivational tales about how I reached deep inside of myself and started wearing skirts to show that I love my body just as it is.

Nah.

I just wanted to bitch and whine about unattractive legs, crappy medical conditions and back pain. (And my piece of crap bed. We can’t forget about that.)

Thanks for listening. You all deserve a cookie for making it to the end of such long-winded, self-serving drivel.

Sigh…

Stumble it!

I THINK it’s fixed.

July 27, 2007

***EDIT***

I tried posting this the other day, but the player didn’t work. I am really hoping the problem is resolved! Let me know…

Hey, all. Since I originally posted it, I have gotten loads of requests to put the duet Loralee Christensen and I recorded together this year (For Good from “Wicked”) on my page.

It’s taken me a million years, but I finally figured out the whole “Post an MP3 to your website” thing. See? I told you all I had techno-suck.

It’s over on my left sidebar in my pages. Click on “The Song” and you’ll see it. Hope you enjoy. I will post a clip of “The Messiah” as soon as I get it ripped to my hard drive. They are two totally different sounds.

This duet with Loralee is very dear to my heart. I totally had a blast.

Stumble it!

On Soundtracks

April 4, 2007
Between watching and writing about my “Forrest Gump” viewing and reading Alex’s fun list in my comments, I thought that I would weigh in on my favorites as far as sound tracks are concerned.

I know I am going to leave some off, but here it goes:

My favorite soundtrack: “Robin Hood Prince of Thieves”.

It was not easy to pick a favorite soundtrack. It is sort of like asking me to pick out my favorite leaf on a tree, but I had to go with the one I listen to the most. The summer of 1991 was life changing. At all of 15 years of age, my adoration of the orchestral film score was secured. I saw this movie about a dozen times in the theater because the first time I heard the opening to this movie I almost started shaking. Intense love at first listen.

It did help that Christian Slater was a hottie and Alan Rickman was a genius as the Sheriff of Nottingham, which helped diffuse how much Kevin Costner sucked in this film. The music was GLORIOUS. I love most of the tracks on this one.

I had loved the music of other movies (Namely, “The Man from Snowy River” and “Chariots of Fire” *Hey, synthesisers were new, OK?*) but since I was so young, I didn’t really understand how much of my enjoyment of a movie was based on the film score. They move me like no other music can.

Best comedy soundtrack: “The Princess Bride” This music is both quirky and makes you feel so melancholy and at home at the same time.

AND “South Park: The Movie” along with “Team America, World Police”. Say what you will about them, but they are absolute composition comedy GENIUSES. GENIUSES, I tell you. Though I admit, it can be quite…ehem.

Best action soundtrack: “Star Wars” There are no words for John William’s genius. My very favorite scene is the last one at the awards ceremony. SO cool when they all turn at the same time. I think I ran unrestrained around the theater at three years old it hyped me up so much.

Best dramatic soundtrack: “Forrest Gump” OK, I know that technically this is a comedy as well, but ‘Jenny’s Theme’ and ‘Run Forrest’ are both heartbreaking and inspiring. LOVE IT.

Best historical soundtrack: TIE. “Last of the Mohican’s” This was another MUST have. That fiddle they play on the main theme? TO DIE FOR. and “Emma” by Rachel Portman. Portman is amazing and one of the most talented composers of this generation. I love all of her work and she is a heavy part of my library. I got married to this music, I love it so much. She does some very fun things with her arrangements.

Best animal theme: “Fawkes the Phoenix” from Harry Potter. I’m sorry, but it is just so inspiring and reassuring, like the bird itself.

Sweetest theme: “A Simple Twist of Fate”. It is a very quiet little film by Steve Martin. The theme used here is so sweet and simple that it almost feels like taking a warm bath.

Most “Themed theme”: “Rudy”. I love the heavy “Fighting Irish” thread he has going on here.

Most powerful theme: “Glory” by James Horner. Specifically, “Charging Ft. Wagner”. It is akin to Orff’s “Carmina Burana“. Loud, confusing, clashing and also building with subtle intensity in segments.

Most majestic soundtrack: “Lord of the Rings” Damn. That’s all I have to say about that.

Best use of political satire in a soundtrack: “Hitchhikers Guide to the Galaxy” The “Zephed Beezlebrock” (OR WHATEVER, BRIAN AND KAREN. I never get the name right. Sigh) is HILARIOUS! “He’s not stupid! (OH, NO!) He’s much smarter than you, and he’s better looking too!” Take a listen. The “Achoo” hymn done in traditional Anglican hymnal structure KILLS ME.

Soundtrack I used to love but can no longer admit to liking because even I can only take so much mocking: “Titanic”. Sigh.

Best scary soundtrack: “The Sixth Sense” OMG. I freaked out in the first two measures and asked my friend Brian to “Hold me”. “The Changeling” was also fairly freaky.

Best military influenced soundtrack: You know how much I love music with a military influence. I don’t really know why. Maybe it is the precision, maybe it is the heavy use of brass or the fact that I think the piccolo just isn’t used enough, I dunno. I just like it a lot. I have a tie. I cannot pick between “Glory” and “The Patriot” they both kick ass.

If we are going with one specific theme, though, the winner is the main theme to the HBO series by Steven Spielberg and Tom Hanks “Band of Brothers”. Gorgeous.

Best soundtrack to inspire you to pretty much be willing to commit mass suicide in a muddy field in Agincourt, France: “Henry V” by Patrick Doyle. I love this Soundtrack. There are two moments that are pure genius-the track for the “St. Crispian’s Day Speech” and “Non Nobis Domine” kick some serious, serious composition TAIL. ( I HAD to find a way to put this in here)

Best romantic theme: “Kiss you” from Romeo & Juliet. OMG. It makes you want to grab the nearest object and start sucking face with it. I WILL sing this one day.

Best soundtrack from a children’s film: “Mary Poppins” What’s all this, step in time? It seriously makes you want to go be a chimney sweep and dance on the roof tops of London. And WHO doesn’t get misty eyed on “Feed the Birds”. It’s one of my favorite songs to sing.

Best vocals on a soundtrack: It has to go to the queen “Enya“. Between ‘Now you are free’ from “Gladiator” and “May it be ” from Lord of the Rings, and her work on Steve Maritn’s “LA Story”, she has it nailed. Second favorite is “Weep you no more sad fountains” from “Sense and Sensibility” by Patrick Doyle

Best soundtrack from the 30’s: “Gone With the Wind”
Best soundtrack from the 40’s: “White Christmas” Hello, could you get more amazing than Bing Crosby on “I’ll be home for Christmas”? Need I say more?
Best soundtrack from the 50’s: “The King and I”
Best soundtrack from the 60’s: “Breakfast at Tiffany’s”. ‘Moon River’ is enough to make you lay down and weep.
Best soundtrack from the 70’s: “Jaws”. Who knew a minor 2nd could be so damn scary? John freaking Williams, that’s who!
Best soundtrack from the 80’s: “The Man From Snowy River” and “Say Anything”
Best Soundtrack from the 90’s: “City of Angels” (So, so, so awesome)and “Forrest Gump” the song compilation.

Best song remakes: Tie between the covers on “50 First Dates” and “Moulin Rouge” both are brilliant in different ways.

Best soundtrack for a completely stupid movie: “Cold Mountain”. There are no words for how much I did not really care for this film. What I LOVE is the music. You cannot get better than Allison Krauss singing “The Scarlett Tide”. Also, they recorded this amazing church choir located deep in the smokey mountains. “The Sacred Harp Singers” I have never heard anything like it: There is no attention to blend, no accompaniment, no strict time keeping, and the end result is loud, ruckus, and gloriously bizarre. I was very tempted to put the winner here as “The Legend of Bagger Vance” by Rachel Portman, but I think “Cold Mountain” takes it.

Best cry your eyes out moment:“Little Women” the simple piano theme when Beth dies. I love this soundtrack so freaking much I can forget the Winona Ryder stars in it.

Best quirky movie Soundtrack: “Harold & Maude” by Cat Stevens.

Best individual instrument performance: “Uncorked” by Jeff Dana. Specifically, “Ross’s Concert”. This is a little movie that stars Minnie Driver. I like the film well enough, but the music is the real star. The first time I heard this I literally had a tear run down my cheek and my jaw was on the floor. I think I repeated it 15 times in a row that night. It was this AMAZING musical moment that was so unexpected and lovely. This guy can play one hell of an acoustic guitar. I went through hell to get the soundtrack but it was worth it.

Soundtrack I never want to hear again: “The Omen”. I would say that THREE HOURS of being “Caroled” in a haunted corn maze by Brian Joy singing “Ave Satani” would be quite enough for anyone, thank you.

Honorable mentions:
“Jurassic Park”
“Waking Ned Divine”
“Cider House Rules”
“Pearl Harbor”
“Gettysburg”
Spiderman
“Practical Magic”
“Raiders of the Lost Ark”
“Black Beauty”
“Oh, Brother! Where Art Thou?”
Braveheart
Shrek 2″
“Rob Roy”
“Garden State”
“Last Kiss”
“The Goonies
“Meet Joe Black”
“Pirates of the
Caribbean
“Amalie”

I know there are so many more, but my brain is fried. Discuss and comment away. Or not. I didn’t want to hear from you all anyway, so THERE! PPPFFTTH!!!!!

:)

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Multicultural Messiah 2007

March 26, 2007
Two out of the three performances are done. We have one more next Friday night in Ogden and then I am finished until next year. It was a really great experience. I loved singing with my husband and my friends, Brian, Mary Ellen and Rachel. I appreciate everyone who came to see us and support the cause behind this performance(Funding a trip for audiologists to fit kids with hearing aids in Mexico.) Everyone looked spiffy, and everyone agreed that my dress kicked some serious ass. Even I couldn’t find any flaws with my appearance in this sucker.As for my actual performance, I have to say it.

I freaking ROCKED!I worked so hard for this role and it paid off. I sounded great and it was probably my best performance to date. I just kicked tail. I looked good, too. It takes a lot for me to be that kind to myself, so it says a lot.

Other really good things happened, too. The mezzo that I replaced (She had the solo for a number of years and was devastated when I replaced her.) finally spoke to me about her feelings.

“I told John that if he was going to replace me, I was happy it was you and that he would never find another singer to do “He was despised” better than you. Thank you for not making a liar out of me.”

I was so touched and happy. She and I have worked together longer than just about anyone. I cut my teeth on my first professional opera engagement with her as my mirror mate in 1993. She means a lot to me and so it was high praise indeed.

Not to say that I wasn’t a basket case before hand, I was. I was nervous as all get out. See this photo? I was waiting to go onstage and I am pretty sure that I had chewed off my entire tongue by this point. I had to use every ‘Calm me down’ trick in the book. Luckily, those worked as well.
There were other SNAFU’S as well. My stomach hurt SO bad. My voice coach and Bass soloist let me munch on his box of wheat thins at intermission. I hadn’t eaten that day (It’s hard to sing on a full stomach), so I really needed it.

When I went out to sing my final aria, I breathed in and realized I had a huge piece of Wheat Thin lodged in my throat.

IT. HURT.

A. LOT.

I managed to get through the song and then the second I was done I ran off stage and was hacking and coughing and gagging. Security, singers and the signing chorus were all around me.
I lived but my HELL. I don’t recommend it.

My coach, Harry (And every other person) had zero idea there was anything wrong while I was singing. In fact, Harry said, “I was going to ask you what you did differently tonight because it was so emotional and really the best you’ve done. You should choke on Wheat Thins more often!”

Ha.
I am glad that I have one more night to soak in the pure joy I get from doing things like this. It takes a lot out of me though, so it is probably for the best that I don’t do it often. Otherwise I would have “Performance Hangover” a lot. It isn’t pretty, as you can see here:

Ta-ta for now, folks.

I hope you had a great weekend, because I did.

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What exactly do I think I’m doing here???

March 19, 2007
Tonight was the soloist rehearsal with orchestra for “The Messiah”.
Like I do every single time I have ever worked with a large group of proficient musicians, I think “What the HELL am I doing with all of these people?? They made a mistake. I should NOT be here”.

My fear was amplified by the fact that I am the youngest soloist: 60, 57, 43 and 32. Trust me, the older you are in this kind of performance the better. Mainly because it is freaking hard music and solo roles aren’t usually trusted to the young. (Not that I am THAT young, but I am in this crowd.) I am also the only person that doesn’t hold an advanced music degree and who has never held a faculty music position.

We all had to do interviews for the media and it put me in an unsettled state. I always sound like the biggest dork when I’m quoted. Hopefully, they won’t use anything I had to say.

The orchestra is without a doubt, the best voluteer orchestra I have ever worked with before. Every single one of them could sight read this perfectly. They are better than some paid orchestras I’ve worked with.

That didn’t make it easier.

Before we went on, I could FEEL the soprano sizing me up. I overheard her say,”She looks…young.”.

I probably didn’t help matters by wearing my hair in pigtails.

Oh, dear.

She is a professor at a huge university and drove a long way to come to rehearse. With little ole’ me.

I kept desperately trying to tell myself that I had good training. I have worked my ass off for this moment every.single.day for months and that I was one of two full scholarships in my department, I have worked in stellar halls and with world-class orchestras AND HELD MY OWN. Anything to give me confidence when I got in front of that orchestra.

I. CAN. DO. THIS.

Then the phlegm started.

Whenever I do any kind of significant performance, I became almost paralyzed with F-E-A-R.

It isn’t just “Oh, I’m scared.” If that were all it was, I could just tell it to go the hell away and be done with it. The problem with fear and the singer is that it can totally screw with your body physiologically. In my case, it is reminiscent of anaphalaxtic shock: My throat starts constricting, I start to produce phlegm, and then I start to compulsively clear my throat and my breathing gets labored and sticky. Once this happens I have to consciously fight to get control of everything or it can lead to severe edema of the larynx, which causes hoarseness and turns your ability to phonate a decent sound into CRAP-O-LA.

I have a battery of things I do in my head to make me brave and to help alleviate the symptoms of stage fright. I had to use every single one of them because I sat waiting for my turn for almost an hour and a half. It didn’t help that I had to go after the tenor, who is freaking AMAZING and has the best role.

Know what, though?

I was fine. In fact, I was better than fine. I was good.

It takes a lot for me to say that, so please don’t think this is me and a huge ego. I was just proud of my performance, and that is rare for me. I hope I can do it when it counts.

After going over all my roles and finishing the polish on my duet with the soprano (Who has an amazing ring in her high tones, but is r-e-a-l-l-y stiff to watch) pulled me aside and said, “It will be an honor working with you.”

I was a bit speechless and stammered out a lame reply:

“I actually wish I could be the soprano in this piece. Mezzos and basses always sort of feel like the red-headed stepchild next to the soprano and the tenor.”

“Don’t you DARE my dear. People kill for voices like yours. You are a true, rich, gorgeous, Alto and those are scarcer than you can imagine.”

WOW.

Later, the conductor’s wife told me that she talked to her during my entire run through and reprised the same thing. She was amazed I was just a housewife that sometimes sings in the shower and walked away from a career.

So am I, sometimes. I know it wouldn’t have been my true happiness, though. I have the life I wanted. I am pretty content with it. It is just nice to be given the chance to shine and feel like there is something I can do very well, that is very rare and have the occasional opportunity to dress up and live the life I walked away from for a few magical evenings.

You can’t ask for more than that.

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